| Trick 'r Treat, directed by Michael Dougherty of Superman Returns fame, has a comic book feel but does a nice job of conveying the real things that can spook kids, making for a good Halloween thriller. Composed of four intertwined stories that unfold simultaneously, starting on the same block in Ohio, Trick 'r Treat initially bears some resemblance to John Carpenter's Halloween, in that it focuses on terrors experienced by teens and young, costumed children. As the short tales become increasingly violent and complex, one begins to see that many culprits are responsible, and that a general haunting of all neighborhood jack-o'-lanterns is the root cause of some gory crimes. For example, in one segment, Emma (Leslie Bibb), against the wishes of her husband, Henry (Tahmoh Penikett), blows out a candle in her jack-o'-lantern and pays dearly as her night unfolds. Meanwhile, Laurie (Anna Paquin of True Blood), a young woman dressed as Little Red Riding Hood, goes to the woods to party with her sister and two girlfriends, attracting a stalker whose smile alone is creepy enough to startle a slumber party crowd. The two stories starring younger kids carry the film, however. In one, elementary-schooler Charlie (Brett Kelly) meets with the demented school principal, Steven (Dylan Baker), who assesses Charlie's love of stealing candy and thrashing pumpkins. At the same time, a witchy nerd named Rhonda (Samm Todd) is invited to join a young gang at an abandoned rock quarry and faces the mean gang leader, Macy (Britt McKillip), after a prank goes awry. "Earlier" or "Later" periodically flash onscreen in comic-book typeface, successfully directing the viewer through time and also relieving some tension that would've built through a single sustained story. In this, light comedy and some downright silliness shine through. All the kids are in great costumes, and the film, overall, has a festive goth look. By the end, one trusts that Trick 'r Treat is really targeting the younger age group that it highlights, yet it contains enough spook to make adults jumpy as well. --Trinie Dalton |
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 Trick r Treat - A Surprise Shocker Classic |
| Review Date: August 20, 2009 |
| Reviewer: J. Pollock, |
People all over the webbins have been talking about Trick r Treat for some time now - exploring conspiratorial notions on why the film has sat shelved for so long while rhapsodizing about just how well X-Men 2/Superman Returns scribe Michael Dougherty's directorial debut works. Having recently seen the film, I can tell you that I know why the film sat for years: It's one of the more ruthless studio-funded horror films ever made. It's not very gory or explicit at all - but it has a truly, deeply, bad attitude. If William Gaines penned morality plays this venomous - to hell with the Comics Code. He'd have probably served time. Trick r Treat is overflowing with the kind of anarchic, mean-spirited hilarity that never sits well with the suits.
One of the reasons the film feels so vile is that the people who populate the tale feel so utterly real. It's really hard to explain without spoiling a lot of what makes it work so well, but - to give you an idea - director Michael Dougherty explained to us that one of the notes he received during the production process was that the children he cast were "too young". Couldn't he make the kids older? Couldn't he cast hotter? That's not to say that elements of the cast aren't flat-out "foxy" (witness the sexi-sexi of Lauren Lee Smith and Rochelle Aytes) but there are sequences in the film that work perfectly because they're not about plasticine twentysomethings. Again - I can't explain exactly what I mean without doing you a disservice - but when you finally see the film, you'll understand completely.
Trick r Treat has been described in certain quarters as an anthology film - but that's not wholly accurate. In truth, the film possesses a non-linear narrative structure - it's more a Pumpkin Pulp Fiction than a Creepshow copy (though the EC Comics connection this film shares with Romero's classic make them kindred spirits - and a great double bill). The film moves back and forth between tales that, at first, seem to be related only by the presence of the mysterious, malevolent little creature seen in the film's promotional materials. Over the running time, we come to realize that the tiny creeper pops up for a reason - and even that detail is something I don't want to spoil for you.
Despite the aforementioned EC Comics vibe (wherein the table-turning reveal that hands the petty thief or adulterous couple their just desserts is par for the course), the twisted twistiness of Trick r Treat still manages to surprise. At different points during the running time, the audience could be heard to speculate on how they felt some swerve might play out - very early on, I had an idea of how I thought the tale featuring Dylan Baker should end - but I was convinced that there was no way my resolution would fly. That Dougherty was able to do exactly what common sense told me would be excised by an executive before it was ever filmed completely negated my anticipation of the last shot. The sequence ended the only way an understanding of the horror genre dictates it should - but instead of feeling "been there, done that" - the payoff plays like the reward for sitting through all of the committee-created genre projects that lack the spine to do it right. Another reveal - easily the film's most glorious - made me feel like a complete idiot. Thinking about it now, I still don't understand why I didn't call it with a chuckle the very moment True Blood's Anna Paquin awkwardly stepped out of her fitting room to face the derision of her friends. At least I wasn't alone - by the end of her character's arc, the audience I was part of sat in stunned silence...then burst into reverent applause - a response based on elements converging in a perfect storm: a beautifully-shot and edited sequence featuring a fantastic revelation, a flawless mix of practical and computer generated imagery, an awesome character beat - and one super-cool line of dialogue. You could sell the film with that single scene...if it didn't give so much away.
The most brilliant thing about Dougherty's film is how it uses Halloween holiday iconography to craft iconic visuals (if the film received the 3,000 screen release it so richly deserved, really cool parents would be dressing their kids up as "Sam" for years). It's Jack O' Lanterns and autumnal golds and vacuformed masks and flame retardant costumes that tie in the back and urban legends and classic monsters and tainted candy and everything else you know and love about October 31st. As so many before me (including Dougherty himself) have said, this is not a film that takes place during Halloween - this is a film about Halloween. It's about the reason for the season. Dougherty says his hope was that his film could become a Halloween holiday perennial - the one you watch every year. And trust me - it is. I'll watch Trick r Treat every CHRISTMAS - because the film is a gift.
Jason Pollock
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Trick 'r Treat has created cult status already...epicly!
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| Review Date: August 18, 2009 |
| Reviewer: Bryan Schuessler, Chicago, IL USA |
I had a chance to see Trick 'r Treat at the Midwest Premiere in Chicago on the big screen and I am mystified as to why this excellent film was never given a full theatrical release? It far exceeded my expectations and I believe it to have already become a classic film for horror aficionados and lovers of the greatest holiday ever, Halloween.
The film is set up as a sort of anthology of short stories, yet they all intertwine and complement each other in the end. There is some great artwork in the tradition of Creepshow and at times reminded me of that film, but the main difference is Creepshow's stories are all their own and Trick 'r Treat follows one night with several groups and characters that each have their own encounter with a very evil character indeed. The film has lots of suspense, violence, gore, and some sexy nudity in one story involving werewolves. We also have a serial killer principal, some rotten teens trying to scare a nerdy girl, and a story told that is destined to be some type of urban legend in the future involving mentally disabled kids and a disastrous fate. The greatest thing about Trick 'r Treat is its style and campy flavor that truly stuck to the evil side of the tracks. The film was so much fun to watch and destined to be a genre classic.
It's too bad that an original idea comes to Hollywood and and they respond by not giving it a release in theaters and snubbing it. I was very lucky to see it in a theater at all. It really is a shame Hollywood is only pumping out atrocious sequels, remakes, and reinterpretations left and right. I guess seeing indie flicks is the only satisfaction I will be getting anytime soon, for the major studios are filling the theaters with boring horror crapfests! |
trick r treat is fantastic!
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| Review Date: August 19, 2009 |
| Reviewer: tonyvortex, indiana |
| To have just seen this last night and know it has been sitting at Warner Brothers doing nothing for two years is a sad sad thing.I've known about this movie in the vaguest of ways for about two years now.Watching this last night was damn amazing.This really should be seen by people,it is a great anthology of Halloween stories.The group of kids pulling a prank was the highlight.You can understand the way WB was thinking by how the writer/director afterwards said the studio wanted hot 20 somethings instead of real kids.Sometimes thinking about the projects that don't get funded or sit in a vault like this,and then think about the garbage that does come out makes me mad.I can't wait to see this again. |
Great way to start the Halloween season
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| Review Date: September 30, 2009 |
| Reviewer: Sid the Elf, North Pole |
Halloween just happens to be one of Sid's favorite times of the year. When the cool weather starts moving in it just seems to inspire the need to watch horror films from laughable b to really great flicks, like our favorite and annually watched Halloween. One portion of horror that has always been our favorite is films comprised of shorter stories just like Creepshow 1&2 along with great t.v series like Tales from the Crypt/Darkside. There's just something great about getting to see multiple ideas within one film, which is why Trick 'r Treat was such a welcomed release.
The film is made up of four short stories all intertwined in someway all taking place in a small town. The stories are somewhat built on Halloween folklore taking a very original and creepy twist the entire way through. You'll get to enjoy a serial killer teacher, sexy werewolves, young vengeful zombies, and an extremely creepy half pint pumpkinhead. Overall a really enjoyable film which kicked off Sid's Halloween season just right. Despite a few negative reviews, we'd have to agree with most who loved it. Sure it's not something that's going to scare you to death but it's very entertaining and perfect to watch this time of year. This is one we did and would have enjoyed years back.
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Viva La Horror Revolución
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| Review Date: August 21, 2009 |
| Reviewer: Chris T. Prunckle, Chicago, IL USA |
I caught Trick `r Treat at the Midwest premiere and was simply blown away. Like most horror fans out there, I have been following this movie since it was first announced and was anxious to see if it could live up to my expectations. And boy did it ever.
Trick `r Treat is a phenomenal movie that captures the spirit of the great `80s horror flicks. It gives us one night of interwoven stories that scare you, make you laugh, make you cry and make you cheer. All the right people get their comeuppance and the viewer is presented with a chewy moral center. The greatest offering Trick 'r Treat has is its heart and honesty. Director Michael Dougherty's passion for the genre bleeds out of the screen and into your heart. This doesn't feel like a photocopied version of what was once great, but instead an original masterpiece that ought to be studied and revered.
I walked out of this movie rejuvenated and filled with wonder. It reminded me of the first time I saw Return of the Living Dead, April Fool's Day, Dolls and so many other classics of the `80s. You see, this isn't gore porn, this isn't a remake, this wasn't originally in a foreign language and this doesn't star the WB actor of the month: THIS IS HORROR! This is a movie that speaks to fans, not one that speaks to our wallets. It speaks to you, not at you.
Now, I don't want to go into a commentary on Hollywood and the way they choose which movies we see, because ultimately, it isn't entirely their fault. We are the ones who spend the money that justifies what they make. If we keep putting money into seeing PG-13 remakes of our favorite horror films from the `80s (and in some cases `90s), it is our fault that they continue making them and watering down the horror gene pool. With the internet, fans have more power than ever to make their voices heard. If we don't fight for the types of movies we want to see, who will? Don't be bullied by Hollywood; fight back. I had never felt the need to really post reviews or opinions before; instead I would commiserate with friends about the inferior products I was being offered. Well, no longer will I passively sit by and watch the genre I love be destroyed. It is up to all of us to make a difference. I can only hope that Trick `r Treat is but the first shot fired in a horror movie revolution. |
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